
Publisher: University of Hawaii Press (January 2003)
Imperial Manchu support and patronage of Buddhism, particularly in Mongolia and Tibet, has often been dismissed as cynical political manipulation. Empire of Emptiness questions this generalization by taking a fresh look at the huge outpouring of Buddhist painting, sculpture, and decorative arts Qing court artists produced for distribution throughout the empire. It examines some of the Buddhist underpinnings of the Qing view of rulership and shows just how central images were in the carefully reasoned rhetoric the court directed toward its Buddhist allies in inner Asia.
The multilingual, culturally fluid Qing emperors put an extraordinary range of visual st
"All scholars of the Qianlong era, of early modern Mongol studies, of Tibetan Buddhism, and of pre-modern China studies will find the book indispensable." --- Pamela Crossley, Dartmouth College
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